Saul Levine began Lost Note as a love poem to his wife but before he finished the film everything had changed. This film is all that was left – 68/69 was a period of violent transition for many. The film was formally challenging, editing footage with in-camera superimpositions and cutting b&w with color.
الملخص العربي قيد الإعداد؛ ويُعرض حاليًا النص الإنجليزي المصدر.السجل التوثيقي ↗
أين تشاهد
اعثر على الفيلم وابدأ المشاهدة.
قارن العروض القانونية في منطقتك ثم ابحث عن العنوان في منصتك.
