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SOURCE-LED EDITORIAL REVIEW

These Days: creating against one's own legend, against the grain.

These Days · 2020

A source-led reading of These Days as speculative cinema: creation, creation, documented consensus, and the counterpoint that shifts the conclusion.

THE FILM EDITORIAL DESKAugust 31, 2026323 WORDS
01

THEMATIC CENTER

creation
02

NARRATIVE PRESSURE

creation
03

FORM

speculative cinema
04

RECORD ANCHORS

lockdown · intimate · visual

The record for These Days yields three coordinates specific to its premise—lockdown, intimate, and visual. That vocabulary places creation at the center and gives creation its dominant tension. It establishes a documentary baseline, not a borrowed score; criticism must still ask what the form does with that material.

These Days brings creation into contact with creation through speculative cinema. That intersection is our Fresh Take: judge the premise less by its familiarity than by how precisely that combination makes its conflict legible. The existing editorial note adds this view: Bold, full-scale entertainment made for the big screen, with an energy that never leaves emotion behind.

These Days (2020) arrives with the coordinates of a fantastique film situated in 2020s cinema. The record credits Sebastián Abril with the direction and places Edi Jimenez and Sebastián Abril in the foreground. With an unusually compact form, the useful question is not to invent an invisible intention, but to notice how these documented choices shape audience expectations before the first frame.

Read as speculative cinema, the film carries the pressure of creation. Creation is not merely an outcome to admire; it becomes labor, discipline, and sometimes a strategy for surviving the gaze of others. The most precise critical test is therefore the human cost of the creative act beyond its result. Categories help audiences find a work, but they can also limit attention. This reading keeps the label at a distance long enough to see how the film builds its own logic and which expectations it chooses to displace.

The counterpoint reads the work less as pure expression than as the place where the artist arranges what cannot be said directly. Instead of asking whether the film confirms the expected story of creation, the sharper question is whether it changes the person, place, or institution with the power to define it. Moving beyond the obvious means locating the tension that turns familiar elements into a particular voice.

THE VERDICT, REFRAMED

The wager: let the work reveal its coherence before classifying it. Here, creation changes meaning under the pressure of creation.

THE DOCUMENTARY STARTING POINT

During the 2021 lockdown, I directed this short film as an intimate visual diary: a tribute to dance, music, and the queer desire to be seen. Inspired by Andy Warhol’s workshop spirit, the shoot became a stage where we played at being our own celebrities, exploring difference as affirmation. Three years later, this piece returns with a new voice-over—an echo of that creature who, even today, insists: “I am a star.”

Original review by The Film Editorial Desk. No audience testimony or independent critic identity is fabricated.
Year
2020
Runtime
5 min
Direction
Sebastián Abril
Performers
Edi Jimenez · Sebastián Abril · Carlos Rodriguez